Put the word “routine” into a thesaurus, and you’ll be presented with dreary synonyms such as unremarkable, plain, and conventional. You might personally conjure adjectives such as ordinary, monotonous, and tedious, and happen to be someone who considers routine as appealing as a turd baguette.
And yet, routine could also be a synonym for human existence. We’re obliged to repeat the same processes day in day out, whether it’s the repetitive tasks of our job, emptying the infernal dishwasher, or mindlessly scrolling through Netflix like a member of the undead. Often, we complete our routines wishing we were doing something else; that some excitement might snatch us away before our final brain cell dissolves with a sad whimper.
In Jim Jarmusch’s 2016 film Paterson, we witness an unconventional character who thinks and behaves in the opposite way. Paterson is a bus driver in the city of Paterson, New Jersey. He wakes up around 6:15am without the need of an alarm clock, kisses his wife Laura, eats cheerios, walks to work, drives his bus, eats dinner, walks their dog Marvin, has a beer at the local bar, and then goes home to sleep. You may consider Paterson’s existence to be a Sisyphean hell if not for his kindness, his calm demeanour, his enviable relationship with his wife, and the poetry he writes in the quiet moments of the day.
For Paterson, routine isn’t stifling banality to be avoided at all costs, but a wellspring of beauty and creativity. As he quietly eats his cheerios, he picks up a box of blue-tip matches from his kitchen counter, and inspects them closely. Few of us would pay much attention to something as trivial as a box of matches, but as someone who rejects face value, Paterson is able to suffuse them with charm, inspiring a love poem for his wife that talks of “sober and furious and stubbornly ready” matches that are ready to burst into flame, lighting the cigarette of the woman he loves. As he drives his bus, he smiles as school kids talk about the arrest of Hurricane Carter in a Paterson bar, as blue-collar workers reveal their supposed romantic exploits, and as teenagers talk about an Italian anarchist who published his seditious thoughts in his own Paterson paper. As he sits in the same spot at the same bar with the same drink, a fresh round each day, he watches, listens, and chats with the bar’s owner and its patrons, giving every little thing his full attention. He “looks down at his glass and feels glad,” and is only able to do so because of his deliberate absorption in his own life; his embracing of his own routine.
Paterson doesn’t appear to have aspirations of luxurious, far-flung holidays; of rubbing shoulders with dolphins or sea-turtles or celebrities with bulging buttocks. He doesn’t seem troubled by the privacy of his poetry, confined to its “secret notebook” rather than rocketing him to fame. His willingness to engage with his day-to-day experiences provide him with a satiating richness that dispels the need for something “better,” destroying the pervasive idea that life should be grander, more exciting and more spectacular—a dizzying blast of sound, colour, and aroma that fills us until we burst. Far from being a torturous bore, Paterson’s routines are a goldmine of novel curiosities that he can access because he chooses to be fully involved. His unwavering attention gives him perhaps the greatest gift of all—the idea that life isn’t just enough, but more than enough.
Routine forces us to learn. When we go through the same task enough times, it shifts from consciousness to unconsciousness, and becomes entrenched in our long-term memory. We no longer have to think about the necessary steps, allowing us to switch our attention to the world around us, to discover its charms. Like Paterson, we can become absorbed in our city and merge with it—one living, breathing metropolis, exploding with run-of-the-mill spectacle, witnessed by many, but examined by few.
When routine becomes automatic, our conscious mind is unleashed upon the world; a mental state that we can experience as boredom or fascination, depending on our level of engagement. With the attention dial turned up, routine can be transformed from a pointless and punishing bore to a captivating venture, flush with meaning. Like the Japanese man who inadvertently encourages Paterson to write again after his dog eats his treasured notebook, we might find ourselves saying “a-ha!” at the ordinary and commonplace. And when we regularly recognise beauty in the things that most people would call banal, we too might become poets.
