Tales of Sin City

Tales of Sin City 1
Photo by Ameer Basheer on Unsplash

Out in the barren desert exists a swollen spread of light and colour, as though mustered and plonked by some alien species—a kind of base experiment, to be observed with scientific, oversized eyes. It glows like a party of a million writhing fireflies, criss-crossing their way across sandy dancefloors, and buzz buzz buzzing through the all-too-quick night, spindly legs shaking in protest at the emerging glares of the unsought sun as it peeks over the horizon. No matter, another night awaits, and another, and another, until bellies, livers and minds become bloated to excess, desperate to burst with raging torrents of sickly vomit.

Spic and span is the money-making plan—every surface must be gleaming, carved from imitation marble, threaded with lavish bands of silver and platinum. How better to gain riches, than to present richness? How better to stoke vanity than with the illusion of splendour, nourishing the confidence of its imprudent admirers? Here’s a gleaming pyramid, surface spotted with warm, yellow luminance; here’s a soaring water feature, radiating with the sheen of a thousand beams of light, undeniably beautiful, but designed to hypnotise nevertheless. A city filled with gratified cooing, senses endlessly feasted, treated like the kings of old, perched atop their garish thrones peppered with gold and jewels, celebrating their awesome stature with the enthusiasm of a thousand unhinged men. Every seat suitably padded, every bed perfectly soft, every whim wholly satisfied—grunting, belching, slapping and snorting our way to hedonistic ecstasy, ingesting Mitsubishi-stamped pills and mounds of white powder with the stench of chemicals, blood trail leading back to the slums of South America, too dark and distant to be perceived.

Luckless ladies weave throughout the grid, targeting men of every kind, their ill repute disguised beneath a glossy-lipped smile of feigned interest. Wife waiting back at the hotel? No problem—we’re here to please, not to judge— take my hand and let me lead you to the softest of places, that may or may not be smeared with hair-clinging crustaceans, waiting for the opportunity to clamp their yellowy claws onto a victim new. We even take chips as payment. Swappin’ plastic for fellatio, just don’t ask us to swallow—a hangover remains. Not interested? Then fuck you. Flee to the pole-clinging strippers, stuff their lace with paper, and forego the satisfaction of a real happy ending. Try to ignore the empty look in their eyes as they thrash about like reluctant puppets, wondering how it all went so tragically wrong—but wait, I love this song!

Rooms packed with sweat-glistened bodies, jostling and grinding to the sunken soundwaves of the latest musical fad, sipping extravagant, overpriced vodka—same stuff, different label—obvious, pitiful peacocks, drowning in feathers and arse, deficient in novelty. Swanky swimming pools peppered with brown bodies, arms flailed in the direction of a sunglass-wearing douchelord—a commander of the most basic of sheep. Respite is taken in the squishy comfort of a private poolside cabana, waited on by a bony young waitress wearing a plastered smile, serving spirit from a $750 bottle—every penny soothing our insecurity through the illusion of status. In the Nevada desert, eminence is expensive, and oh-so-fleeting.

Just a couple of colours to determine your destiny, with another thrown in, sometimes twice, to cheat you out of it. A table surrounded by expectant faces, one moment joyful, the next despairing, as the chips inevitably make their way back into the owner’s overstuffed pockets, ready to be reinvested into some shiny new thing—a glistening fountain; a glossy chrome staircase, or a younger, red-lipped waitress—whatever it takes to bring in the hapless punters. At table forty-two is a man with his head in his hands, who sold his home to make it big—a hundred thousand chips shrunk down to one, with remorseless masters grinning in the shadows, and beaming as a fresh-faced mug nestles into the seat next to him.

It isn’t really the money we’re after, but dopamine, to be got at all costs, with peril ignored—a teeny brain squirt after every little success, scantly experienced, yet catching us hook, line, and sinker, over and over again, until our mouths are dry, and pockets desolate—an empty space where even the most dishonourable moth wouldn’t be caught dead. Success at the table is not the same as success at life. Moments of jubilant triumph, laden with chips of the richest colour, are equalised by periods of exhausted devastation, when you’d better hope that there’s someone who loves you enough to comfort you. On its most lucrative days, the city carves out our insides until all is hollow—nothing left but an empty shell whose hopes and dreams have been efficiently collected and deposited. 

But don’t worry, you can win it all back next time.

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